Posts Tagged Lenny Breau

Matthew Warnock Interview

Matthew Warnock is a great guitarist and educator with a impressive CV which includes stints teaching and studying in many US universities. Matthew is coming over to teach in the UK at Leeds College of Music and I hope we can meet up at some point to hang out. You can check out his playing on his Youtube channel.

Q: What/who were your initial influences?

I first got interested in guitar by listening to classic rock and blues, so my earliest influences were Jimmy Page, David Gilmour and Stevie Ray Vaughan. Once I got hooked into jazz, I was influenced by some of the usual suspects, like Wes Montgomery, Pat Martino and Mike Stern, but I have always been drawn to cats like Lenny Breau, Ed Bickert and Ted Greene.

Q: Are you gigging much at the moment and any projects in the pipeline?

I spent most of 2011 living in Belo Horizonte, Brazil where I was performing 10-15 times a month, so I was gigging a lot and getting the chance to play with some great Brazilian musicians. I recently relocated to Manchester, and have decided to gig a bit less right now because I want to really focus on finishing my first record. The album will be all solo-guitar, and I’ve got the tunes worked up already. I just need to get into the studio and begin the recording process.

Q: What’s your ‘desert island’ guitar or have you got it!?

My desert island guitar is the Koentopp Telecaster that I own. It’s a custom build by Dan Koentopp, a Chicago luthier who makes the most beautiful sounding guitars I’ve ever played. So, I’m lucky in that I searched for years for a guitar that really brought my personality and musical intentions out in the sound of the instrument, and I finally found those qualities in Dan’s guitar.

Q: Best (jazz guitar) gig you’ve ever seen?

I would have to say that it was a tie between the first time I ever saw Ben Monder in Montreal, he was playing with his quartet and they absolutely killed it, and a Mike Stern show I saw this summer in Brazil, where he played with a Samba trio. Both of these shows were full of energy, the bands were interaction at a very high level and the intensity was just electric. Two shows I will never forget.

Q: Which guitarist(s) would you recommend for other people to check out?

A few of the guitarists that I really like that I think more people should check out are Lenny Breau and Ed Bickert. Two Canadian guitarists, well Lenny was a transplanted Canadian, who I grew up listening to and two of the best chord players in the business. I will never get tired of hearing either of those guys play, in any ensemble, and I always try and turn people on to their records whenever I get the chance.

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Tom Painter interview

Tom Painter is a fantastic luthier who has built us a few archtops, you can read more here

1/What/who were your initial influences?
Barney Kessel was my first influence in jazz guitar. He just had so much enthusiasm and a bluesy style that was really accessible to me at the time (my late teens). Later, I discovered the other masters Pass, Farlow, Benson, Martino, Breau, etc. I was also really interested in Bossa Nova, the Bossa guitar was and still is just fascinating to me.

2/Are you gigging much at the moment and any projects in the pipeline?
I don’t gig right now.  I played through college, in the school jazz program and with my own group.

3/What’s your ‘desert island’ guitar or have you got it!?
My “desert island” guitar would have to be one of mine or a really fine classical guitar.

4/Best (jazz guitar) gig you’ve ever seen?
I saw Jimmy Bruno when I was 18 or so in Philly. His level of musicianship blew me away…almost incomprehensible. He was such a nice guy too….let me play his Benedetto! I felt the same way when I met Pat Martino.

5/Which guitarist(s) would you recommend for other people to check out?
With YouTube, we see there are so many people around the world playing at such a high level it’s just mind-boggling….and very humbling.  I’m a little old-fashioned in my taste, for me, Jimmy Raney is the Leibniz of bebop guitar.  The beautiful logic!

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Dan Martin interview

INFLUENCES

My initial influence from the perspective of the guitar starts with Jimi Hendrix. He, like other similar artists opened up the guitars capability. Working alongside Dan influenced the majority of music and artists I listen to today. During this time I have been introduced to: Indian music through Shakti with John Mclaughin, Flamenco/Classical music, and most importantly Jazz  The players that have influenced me in Jazz are: George Benson, Johnny Smith, Barney Kessel, Jim Hall, Ted Greene, Lenny Breau, Joe Pass, Wes Montgomery and Dan Johnson.

GIGGING

Currently I can only seem to manage a couple of gigs a month. We are very lucky to even have this opportunity to play the music we want too, rather than ‘restaurant’ music. Most of my time is spent in the woodshed at the moment as well as balancing all the things that are happening right now. I have been enjoying a duo with a bass player recently as this really encourages me to stretch my ideas over the course of an evening whilst attempting to keep interest. A future project would be to build on this format, coaxing the many possibilities with a view to perform more and record.

GUITAR

I am always lusting after guitars and over the years have owned many different types. Currently I am playing a D’aquisto Jazzline Junior (Japan), with its laminate construction and size the guitar is very comfortable to play and handles loud volume. The ‘Desert Island’ guitar would be the Tom Painter P-16 with its fantastic sound, although I would imagine the Benedetto guitars would certainly tempt anyone.

JAZZ GUITAR GIG

Joe Giglio w/ Bucky Pizzarelli, New York at the 107 West, circa 2006. This was perhaps the most significant gig of them all. It was my first time in NYC, taking in the wonderful surroundings, with a developing curiosity for Jazz. The warm reception I received from Joe, not to mention the extravagant guitar playing that I was blown away by, made my mind up on the music I wanted to study and enjoy. I have also had the opportunity to see Pat Metheny, Pat Martino, George Benson, John Mclaughlin, Phil Robson, Howard Alden, Jack Wilkins and many more.

OTHER GUITARISTS

I would always seek ‘local’ players out to share ideas with……… and hopefully gigs!! As well as the tremendous players listed above I would suggest:  Tony DeCaprio, Sheryl Bailey, Tuck Andress, Gary Potter, Jimmy Bruno. Two players that amaze me with their ability to capture the essence of Bill Evans on the guitar are: Stephen Anderson and Sid Jacobs.

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Joe Giglio interview

Joe’s a great guy and great player who I had the privilege of  hanging out with and playing a few gigs when he came over to the UK in Sept last year. He’s got some great CD’s available via CD Baby and iTunes, check them out.
1/What/who were your initial influences?
John Coltrane, Grant Green, Jim Hall, Sonny Rollins, Bill Evans, Lee Konitz, Wes Montgomery, Maynard Ferguson, Ricky Nelson & James Burton on the ‘Ozzie & Harriet’ TV show.

2/Are you gigging much at the moment and any projects in the pipeline?
I am gigging, but not *much*. The scene in NYC is pretty pitiful! I’ll sum it up in a slightly tongue in cheek comment (it is only slightly tongue in cheek):
‘The jazz gig scene in NYC is currently so bad that players are stabbing each other in the back for the best free (no pay-not ‘free jazz’) gigs…’

3/What’s your ‘desert island’ guitar or have you got it!?
If I had to pick one I would pick my Forshage ‘Ergo’ guitar-assuming I would have access to an amplifier.
Of course I would not prefer to pick only one guitar, so I will also mention my cherry red Epiphone ‘Sorrento’ w/P-90 pickups; my Gibson ES-330 ‘Longneck’; my ‘WD’ semi-hollow ‘Tele’; my cranberry red Epiphone ‘Riviera’; an early 1950s ‘Black Guard’ Fender Telecaster with neck pickup capacitor removed (I don’t own one, but if anyone wants to give me one, or the funds to purchase one, I assure them it will employ it to produce much inspired music!); a Lloyd Loar signed Gibson L5 ( again, awaiting the great generosity of a patron), & that should do it…

4/Best (jazz guitar) gig you’ve ever seen?
Pat Martino at the ‘Bottom Line’ in NYC, with the ‘Catalyst’ rhythm section circa 1974.

5/Which guitarist(s) would you recommend for other people to check out?
Let’s start with Joe Giglio, who is always trying to expand his musical palette by playing in many different contexts ranging from: ‘Guitar Trio playing standards in a fresh & modern way’; ‘Solo Guitar’ both traditional & modern; ‘Free/Avant Garde Jazz’ with small & large ensembles; ‘Hard Edged Blues/R & B/Rock’ in the NYC style; Traditional ‘Americana’ style music played with a modern consciousness, …
Also: Grant Green, Jim Hall, Kenny Burrell, Ed Bickert, Ted Greene, Lenny Breau, Joe Pass, Wes Montgomery, Ben Monder, All the ‘Kings’; Robert Johnson, Julian Bream, Eddie Lang, Dennis Budimir, Joe Diorio, Jack Wilkins, Carl Barry, Dan Johnson, Dan Martin, Sonny Greenwich, Derrick Bailey, Bern Nix, Pat Martino, Joe Puma, Sonny Sharrock, Chuck Wayne, …

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