Posts Tagged Johnny Smith
We’ve all got our own story of how we came to love jazz music and specifically jazz guitar, maybe some of you came to it recently or some of you were lucky enough to have been exposed to it at a younger age. For me I was lucky enough when I was 15 to be leant an album on cassette called “The Jazz Guitar Album” and it all started there for me. As a teenager in my bedroom playing guitar, listening to The Beatles and Jimi Hendrix the jazz guitar tape give me lots of questions but sadly not very many answers -’what on earth were they playing!?’ Although I didn’t *dislike* it, I didn’t really know what to make of it either. The names on the tape sounded very exotic like the music within – Oscar Moore, Django Reinhardt, Bola Sete, Herb Ellis etc.
“The Jazz Guitar Album” Verve 2683065
1. Howard Roberts – Relaxin’ At Camarillo
Talk about a shot in the arm to start with! A great Parker bop track taken with incredible energy and an all round great group performance. I love the solo he takes on this; a less natural intuitive guitarist may have gone for another take to try and get it ‘perfect’ but you’d never get close to this again. For such a great natural guitarist it’s interesting to note that he’s remembered more for his involvement with education.
2. Kenny Burrell – Terrace Theme
Cool. Very cool. This track sounds like it might be a straight forward blues but then shows it’s hand with some slinky harmony over the B section. What a sound Kenny gets, I’m not sure anyone got a sound like him in jazz/blues.
3. Billy Bauer – It’s A Blue World
If you talk to any guitarist about close harmony jazz guitar they will no doubt (and quite rightly) talk about Johnny Smith BUT one of the greatest exponents was Billy Bauer. One of the (almost) forgotten greats of jazz guitar, please do search out this track as it’s such a great performance and if anyone has time to transcribe it then drop me a line!
4. Les Spann – Wrap Your Troubles In Dreams
Ah Dizzy Gillespie, one of my obsessions from a few years ago (and the name of my cat). This tune is not one that many modern jazzers have played (Bill Evans did as well as Diz) and I’m not sure why as it’s a great tune with some great movement in the chords in the B section to play off. Not content with being a great guitarist Les Spann was a flute player of great skill too.
5. Charlie Christian – AC-DC Current
One of the founding forefathers of the modern jazz guitar movement. Still can’t fathom how he imagined and played all that great music before passing away too young at only 25 years old- just think about that!
6. Barney Kessel – All The Things You Are
7. Herb Ellis – Gravy Waltz
Two more masters of jazz guitar. Such great taste and tone; performances like these makes you realise why they were such legends.
8. Jim Hall – All Across The City
This really stuck out in amongst the other tracks on this album and it’s such a sparse arrangement compared to a lot of the others just featuring Bill Evans and Jim. A lovely melody and one that sticks with you and makes you realise that sometimes less is more.
9. Bola Sete – Soul Samba
Bola was discovered by Dizzy Gillespie and went on to carve out a great career which blended together Samba and Jazz in a creative and energetic way, miles apart from the Bossa Nova movement. In recent years having seen his performances on Youtube I can say that he was the happiest guitarist in the world, so infectious! To my ears at the time this tune sounded a little odder compared to the others, less chord movement but more rhythm and percussion in the guitar playing. What a master!
10. Grant Green – That Lucky Old Sun
I could write an essay on Grant Green (maybe I will one day) and how he influenced my playing. I go through Grant Green obsessional phases every so often but I have to say that this isn’t in my favourites list. It’s not a bad performance (except maybe the slightly out of tune flute) but there’s lots more to celebrate in the Grant Green back catalogue.
11. Tal Farlow – I Remember You
Another stunning performance and one which I transcribed a few years ago. Tal really played unlike anyone else mainly because of his physical attributes; he had big hands and dwarfed any guitar he played and made big interval leaps easy and therefore they just became part of his jazz language. Everyone else was blown away including a young George Benson who has cited Tal amongst others as a big influence.
12. Laurindo Almeida – Samba Da Sahra
Very stylish track with the ever smooth tones of Stan Getz. Great chord movement in this self penned tune, deserves to be played more.
13. Django Reinhardt – Nuages
His signature tune this time performed with a big band, some lovely artificial harmonics in the solo.
14. George Benson – What’s New
I’ve listened to so much GB in my life and this track was a great introduction to start searching out his work. Worth noting the great young Herbie Hancock on this track.
15. Wes Montgomery – Four On Six
Not a lot can be said of Wes that hasn’t been said already. Every note of this is carved into our heads, what a great solo!
16. Johnny Smith – Sweet Lorraine
It turns out that this was a fairly rare track. All the amazing trademark chord work is present and correct, I literally couldn’t work out (and still can’t) how this was at all possible!
17. Oscar Moore – Oscar’s Blues
18. Jimmy Raney – Buddy’s Blues
Oscar Moore was one of the important early exponents of modern jazz guitar and Jimmy Raney was one of the bebop masters. I’m glad these tracks were on the album as I looked further into their playing in later years and found much to listen to.
19. Charlie Byrd – Samba Triste
Early on I got the Byrd/Getz albums and they are essential listening to students of jazz, such great playing and compositions.
20. John McLaughlin – Binky’s Beam
Now this one really foxed me as there seemed to be some clever odd time signature stuff happening in this track and it had a great raw sound to it. It spurred me onto discover probably one of the most influential musicians I’ve ever heard. Not traditional jazz guitar, something very new and exciting was happening here..
A year or so after that there was an offer in the Sunday paper where you had to collect some tokens to receive a free CD. There were 4 in the collection (Saxes, Groups, Piano and Guitar) and I managed to get all of them mainly because I was still intrigued and I recognised a couple of names of the players.
“The Great Jazz Guitarists” OJCGS1 (1994)
1. Charlie Byrd Trio “Let’s Do It”
2. Joe Pass “She’s Funny That Way”
3. Barney Kessell “Easy Like”
4. Barney Kessell “Tenderly”
5. Wes Montgomery “Repetition”
6. Wes Montgomery “D Natural Blues”
7. Wes Montgomery “Four on Six”
8. Barney Kessell “My Old Flame”
9. Barney Kessell “Jeepers Creepers”
10. Kenny Burrell “I Didn’t Know About You”
There was no looking back now and the other CD’s in the collection started to broaden my appreciation especially for Sonny Rollins and John Coltrane. Joe Pass’ tune on this album was the first time I’d heard anyone deal with jazz on a guitar as a solo instrument. I loved that tune so much I tried to learn it from the album and although I thought I had it down pretty much perfect, time and wisdom showed me otherwise. Oh well I was never going to be a solo jazz guitarist!
Do search out these artist and tunes if they are unfamiliar to you and hopefully they will inspire you like they did (and do) to me.
I had correspondence after this blog post from Alan Joseph who is the jazz guitar instructor at the Newman Center for the Performing Arts which is within the University of Colorado (Johnny’s hometown) who related his condolences and knew Johnny. He was kind enough to share a couple of photos with us. Alan is a fine guitarist, check him out on Youtube.
Just heard the sad news of the passing of a true legend of jazz guitar. Johnny’s music meant a lot to me personally as a friend Ed Kettlewell years ago turned me onto him and immediately I was amazed (like every guitarist hearing it for the first time!) at the deftly crafted chord concepts he was playing, I’d not heard anyone do that at that time. It turned out that that whole album “Moonlight in Vermont” was amazing and it still has a special place in my life. I can’t play every note of that album but I know every note!
I was so inspired by Johnny’s original tune “Wally’s Waltz” that I learned it and performed it on a YT vid:
I couldn’t get close to his version of course, the man was something else.
Years ago I was sent a cassette tape of a rare live gig he played in 1981, I uploaded the tape to YT for all to enjoy so sit back and enjoy, Johnny we salute you!
I was sent some tapes years ago from a guy in the US (Bill Kozakewich) and it’s taken a fair while but I’ve managed to get the cream of them onto Youtube. The latest I put up is the standard “Stella by Starlight” and he burns on it!
Feel free to click through to my YT channel and there is a playlist of the ones I’ve put up on the right hand side (just called Johnny Smith) Don’t forget to subscribe to me while you’re there and I will follow back.
A few years ago I was sent a tape of a club performance by Johnny Smith recorded in 1981 and it took a while but I finally got round to digitising it and sharing it for everyone to enjoy. It’s a relaxed performance and you can tell everyones having a good time; that’s what it’s all about isn’t it?
Well, I’ve only been dabbling in jazz for about 1 year now, but have had a guitar for years. I just started about a year ago after a back injury kept me from playing for ages and basically i just lost interest.
The first who caught my interest was Eric Clapton from a CH4 concert from the BIC, with Phil Collins on the drums. I was a bit of a Genesis fan at the time and it was really the only reason for watching the concert.
From then I got into Clapton, Green, Page and then in rock players like Vai, Petrucci etc.
Then , after not having played for years, I saw a few vids on Youtube of guys playing jazz and started studying the scales etc.
I have a Youtube page with my rather sad efforts are for all to see, LOL!!
I¡d really love a Joe Pass model guitar, but that will have to wait.
I’ve not really been to any live jazz gigs if Im honest.
I’d recommend to other people the playing of Pass, Kessel; Benson , Ford, Montgomery, Smith, the list is endless
My initial influence from the perspective of the guitar starts with Jimi Hendrix. He, like other similar artists opened up the guitars capability. Working alongside Dan influenced the majority of music and artists I listen to today. During this time I have been introduced to: Indian music through Shakti with John Mclaughin, Flamenco/Classical music, and most importantly Jazz The players that have influenced me in Jazz are: George Benson, Johnny Smith, Barney Kessel, Jim Hall, Ted Greene, Lenny Breau, Joe Pass, Wes Montgomery and Dan Johnson.
Currently I can only seem to manage a couple of gigs a month. We are very lucky to even have this opportunity to play the music we want too, rather than ‘restaurant’ music. Most of my time is spent in the woodshed at the moment as well as balancing all the things that are happening right now. I have been enjoying a duo with a bass player recently as this really encourages me to stretch my ideas over the course of an evening whilst attempting to keep interest. A future project would be to build on this format, coaxing the many possibilities with a view to perform more and record.
I am always lusting after guitars and over the years have owned many different types. Currently I am playing a D’aquisto Jazzline Junior (Japan), with its laminate construction and size the guitar is very comfortable to play and handles loud volume. The ‘Desert Island’ guitar would be the Tom Painter P-16 with its fantastic sound, although I would imagine the Benedetto guitars would certainly tempt anyone.
JAZZ GUITAR GIG
Joe Giglio w/ Bucky Pizzarelli, New York at the 107 West, circa 2006. This was perhaps the most significant gig of them all. It was my first time in NYC, taking in the wonderful surroundings, with a developing curiosity for Jazz. The warm reception I received from Joe, not to mention the extravagant guitar playing that I was blown away by, made my mind up on the music I wanted to study and enjoy. I have also had the opportunity to see Pat Metheny, Pat Martino, George Benson, John Mclaughlin, Phil Robson, Howard Alden, Jack Wilkins and many more.
I would always seek ‘local’ players out to share ideas with……… and hopefully gigs!! As well as the tremendous players listed above I would suggest: Tony DeCaprio, Sheryl Bailey, Tuck Andress, Gary Potter, Jimmy Bruno. Two players that amaze me with their ability to capture the essence of Bill Evans on the guitar are: Stephen Anderson and Sid Jacobs.