Posts Tagged Bill Evans
On the 29th March there is a rare chance to learn with the amazing Sid Jacobs as he is giving a master class in London. Details below:
If you are a fan of the music of Bill Evans and you’re interested in the Jimmy Wyble style of arranging then this is a must.
Also in Wrexham there is the amazing Howard Alden coming across to teach at the Jazz Guitar Weekend arranged by Trefor Owen. This is really a must for any aspiring jazz guitarist to get up close and really see how a professional approaches the art form. It’s great to hang out with lots of like minded people and there are some great opportunities to jam and share knowledge.
Information is on this webpage
Joe’s a great guy and great player who I had the privilege of hanging out with and playing a few gigs when he came over to the UK in Sept last year. He’s got some great CD’s available via CD Baby and iTunes, check them out.
1/What/who were your initial influences?
John Coltrane, Grant Green, Jim Hall, Sonny Rollins, Bill Evans, Lee Konitz, Wes Montgomery, Maynard Ferguson, Ricky Nelson & James Burton on the ‘Ozzie & Harriet’ TV show.
2/Are you gigging much at the moment and any projects in the pipeline?
I am gigging, but not *much*. The scene in NYC is pretty pitiful! I’ll sum it up in a slightly tongue in cheek comment (it is only slightly tongue in cheek):
‘The jazz gig scene in NYC is currently so bad that players are stabbing each other in the back for the best free (no pay-not ‘free jazz’) gigs…’
3/What’s your ‘desert island’ guitar or have you got it!?
If I had to pick one I would pick my Forshage ‘Ergo’ guitar-assuming I would have access to an amplifier.
Of course I would not prefer to pick only one guitar, so I will also mention my cherry red Epiphone ‘Sorrento’ w/P-90 pickups; my Gibson ES-330 ‘Longneck’; my ‘WD’ semi-hollow ‘Tele’; my cranberry red Epiphone ‘Riviera’; an early 1950s ‘Black Guard’ Fender Telecaster with neck pickup capacitor removed (I don’t own one, but if anyone wants to give me one, or the funds to purchase one, I assure them it will employ it to produce much inspired music!); a Lloyd Loar signed Gibson L5 ( again, awaiting the great generosity of a patron), & that should do it…
4/Best (jazz guitar) gig you’ve ever seen?
Pat Martino at the ‘Bottom Line’ in NYC, with the ‘Catalyst’ rhythm section circa 1974.
5/Which guitarist(s) would you recommend for other people to check out?
Let’s start with Joe Giglio, who is always trying to expand his musical palette by playing in many different contexts ranging from: ‘Guitar Trio playing standards in a fresh & modern way’; ‘Solo Guitar’ both traditional & modern; ‘Free/Avant Garde Jazz’ with small & large ensembles; ‘Hard Edged Blues/R & B/Rock’ in the NYC style; Traditional ‘Americana’ style music played with a modern consciousness, …
Also: Grant Green, Jim Hall, Kenny Burrell, Ed Bickert, Ted Greene, Lenny Breau, Joe Pass, Wes Montgomery, Ben Monder, All the ‘Kings’; Robert Johnson, Julian Bream, Eddie Lang, Dennis Budimir, Joe Diorio, Jack Wilkins, Carl Barry, Dan Johnson, Dan Martin, Sonny Greenwich, Derrick Bailey, Bern Nix, Pat Martino, Joe Puma, Sonny Sharrock, Chuck Wayne, …